Artists
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Harry Partch *VI 24 1901 / The Life You Give
Harry Partch, born June 24, 1901, in Oakland, Calif., U.S.A., is the visionary and eclectic composer and instrument builder, largely self-taught, whose compositions are remarkable for the complexity of their scores (each instrument has its own characteristic notation, often involving 43 tones to each octave) and their employment of unique instruments of his invention. Partch’s…
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The Life You Give: Aleksandr Pushkin *1799
Aleksandr Pushkin, born Aleksandr Sergeyevich Pushkin, May 26 [June 6, New Style], 1799, Moscow, Russia, is the poet, novelist, dramatist, and short-story writer, often considered his country’s greatest poet and the founder of modern Russian literature. Pushkin’s father came of an old boyar family; his mother was a granddaughter of Abram Hannibal, who, according to…
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Thomas Mann *VI 6 1875 / The Life You Give
Thomas Mann, (born June 6, 1875, Lübeck, Germany—died August 12, 1955, near Zürich, Switzerland), German novelist and essayist whose early novels—Buddenbrooks (1900), Der Tod in Venedig (1912; Death in Venice), and Der Zauberberg (1924; The Magic Mountain)—earned him the Nobel Prize for Literature in 1929. Early literary endeavoursMann’s father died in 1891, and Mann moved…
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Federico García Lorca *V 5 1898 — La Vida Que Das / The Life You Give
See English text below Federico García Lorca (Fuentevaqueros, 5 de junio de 1898 – camino Víznar a Alfacar, 1936). Poeta y dramaturgo español, adscrito a la generación del 27. Desde pequeño entra en contacto con las artes a través de la música y el dibujo. En 1915 comienza a estudiar Filosofía y Letras, así como…
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Martha Argerich *VI 5 1941 — La Vida Que Das / The Life You Give
Martha Argerich, (born June 5, 1941, Buenos Aires, Argentina), Argentine pianist known for her recordings and performances of chamber music, particularly of works by Olivier Messiaen, Sergey Prokofiev, and Sergey Rachmaninoff. A prodigy, Argerich was performing professionally by age eight. In 1955 she went to Europe, where her teachers included Friedrich Gulda and Arturo Benedetti…
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The Life You Give: Dagmar Krause *1950
It seems odd to consider the work of Dagmar Krause as specifically rock, mainly due to her superb talent singing non-rock popular music. It is because of her association with German progressive rockers Slapp Happy, and British avant-garde prog rockers Henry Cow and the Art Bears that Krause becomes a suitable subject for inclusion in…
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The Life You Give: Josephine Baker *1906
Josephine Baker, born Freda Josephine McDonald, June 3, 1906, in St. Louis, Missouri, U.S.A., is the dancer and singer who symbolized the beauty and vitality of Black American culture, which took Paris by storm in the 1920s. Baker grew up fatherless and in poverty. Between the ages of 8 and 10 she was out of…
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The Life You Give: Edward Elgar *1857
Sir Edward Elgar, born Edward William Elgar, June 2, 1857, in Broadheath, Worcestershire, England, is the composer whose works in the orchestral idiom of late 19th-century Romanticism—characterized by bold tunes, striking colour effects, and mastery of large forms—stimulated a renaissance of English music. The son of an organist and music dealer, Elgar left school at…
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Nurit Tilles *V 29 1952 / The Life You Give
The accomplished pianist, Nurit Tilles, was born in New York on May 29, 1952. She studied at the preparatory division of the Juilliard School of Music in N.Y. (1961-68) and at the Oberlin (Ohio) Coll. Cons. of Music (B.Mus., 1973); after taking courses in tabla and gamelan at the Center for World Music (1974), she…
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György Ligeti *V 28 1923 / The Life You Give
György Ligeti, born György Sándor Ligeti, May 28, 1923, in Diciosânmartin [now Tîrnăveni], Transylvania, Romania, is a leading composer of the branch of avant-garde music concerned principally with shifting masses of sound and tone colours. Ligeti, the great-nephew of violinist Leopold Auer, studied and taught music in Hungary until the Hungarian Revolution in 1956, when…
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Miles Davis *V 26 1926 / The Life You Give
Davis’s early playing was sometimes tentative and not always fully in tune, but his unique, intimate tone and his fertile musical imagination outweighed his technical shortcomings. By the early 1950s Davis had turned his limitations into considerable assets. Rather than emulate the busy, wailing style of such bebop pioneers as Gillespie, Davis explored the trumpet’s…














