This is pure celebration, in part because the opera world has been an important source of joy in my life for the last four decades. Magnificent as realm of music composition and theater since the sixteenth century in Italy, it is a school on human condition, with its comedies, tragedies, and transcendental exercises, a school for history, for creativity, for critical thinking, mythology, etc.
Additional cause for celebration is the participation of one of my favorite opera singers of our time, Diana Damrau, whom I have been following since seeing her perform Leonard Bernstein’s “Glitter and be Gay”, three years ago.
Les Pêcheurs de Perles (1863)
Georges Bizet (1838-1875)
Libretto: Eugène Cormon, Michel Carré
A pearl-diving village in the Far East. As the villagers prepare for their dive, they sing of their fear of the sea. Zurga tells them they must choose a leader, and they unanimously swear loyalty to him. Nadir returns to the village after spending a year away. He and Zurga recall that their friendship was almost destroyed when they both fell in love with a Hindu priestess. Nadir swears he has kept the vow they both made to protect their friendship by staying away from her. Nourabad, the High Priest, brings a priestess to the village. She is to sing and pray all night to calm the demons of the deep and to ward off the spirits of the storm. Although she is veiled, Nadir immediately realizes she is Leïla, the priestess he still loves (played by Diana Damrau). Zurga, who does not recognize her, imposes an oath of obedience upon her on pain of death. Leïla is to remain veiled and pure. Her reward for keeping the divers safe from harm will be their finest pearl. Nadir, alone, reveals that he and Leïla have met illicitly and that he has followed her to the village. He listens as she begins her incantation and, unable to resist any longer, calls out to her. She breaks off, answering his love.
Nourabad tells Leïla that the divers have returned safely and she can now sleep until morning in the temple. He stresses the importance of her vow. As proof of her ability to keep her promise she tells him how, as a little girl, she once protected a fugitive. The man she saved gave her a necklace, which she wears to this day. In her sleep, Leïla dreams of Nadir, who is in fact making his way into the sacred enclosure. The couple is reunited. As a storm breaks out, they are discovered and denounced by Nourabad, who blames them for the tempest. Zurga protects his friend from the fury of the villagers, who demand his immediate death. Nourabad tears off Leïla’s veil. Zurga finally recognizes Leïla and realizes that Nadir has betrayed their oath. He angrily demands death for the guilty couple.
The storm has died away but the village has suffered terrible damage from flooding. Zurga’s anger has passed and he sadly reflects on Nadir’s fate. Leïla intercedes for Nadir and Zurga relents, but his jealousy reawakens when he realizes how much Leïla loves his rival. He allows Nourabad to take her to be sacrificed together with Nadir. Before she leaves, she gives her special necklace to one of the young divers and asks him to give it to her mother. Zurga seizes the necklace with a cry.The pearl fishers prepare for the ritual deaths of Leïla and Nadir at dawn. Zurga stops them with the news that the village is on fire, and the villagers flee to try and save their children. Zurga releases Nadir and Leïla and explains that he set the village alight in order to rescue them. He reveals that he was the fugitive Leïla saved many years ago. The lovers gratefully make their escape and Zurga is left to face the consequences of his actions.
Synopsis Courtesy of English National Opera
Source: The Metropolitan Opera