why speak words?
Are they speaking due to their own music limits?
Do they speak because they are externally asked to convey words, while they have already conveyed music?
Are words explanation?
Does music need wording?
Is music whole through explanation?
Why the needy libretto? Who needs who?
Is poetry the pursuit of completion?
Is the mind commanding lips to poetry a mind of words, or of music?
And when externally or internally explanations are once more asked, does the poem need the word to be explained, or does it need music?
(because Ornette Coleman was asked to speak)
Sila Blume 