musicology
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Theodor Adorno *IX 11 1903 — The Life You Give
Theodor Adorno, born Theodor Ludwig Wiesengrund, on Sept. 11, 1903, Frankfurt am Main, Germany, is the philosopher who also wrote on sociology, psychology, and musicology. Adorno obtained a degree in philosophy from Johann Wolfgang Goethe University in Frankfurt in 1924. His early writings, which emphasize aesthetic development as important to historical evolution, reflect the influence…
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The Life You Give: Theodor Adorno *IX 11 1903
Theodor Adorno, born Theodor Ludwig Wiesengrund, on Sept. 11, 1903, Frankfurt am Main, Germany, is the philosopher who also wrote on sociology, psychology, and musicology. Adorno obtained a degree in philosophy from Johann Wolfgang Goethe University in Frankfurt in 1924. His early writings, which emphasize aesthetic development as important to historical evolution, reflect the influence…
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The Life You Give: Theodor Adorno *IX 11 1903
Theodor Adorno, born Theodor Ludwig Wiesengrund, on Sept. 11, 1903, Frankfurt am Main, Germany, is the philosopher who also wrote on sociology, psychology, and musicology. Adorno obtained a degree in philosophy from Johann Wolfgang Goethe University in Frankfurt in 1924. His early writings, which emphasize aesthetic development as important to historical evolution, reflect the influence…
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Happy Birthday, Edwin Fischer! 1886
Join us in celebration of his contribution to music, in conversation with musicologist and philosopher Vlad Vexler. Today, October 6, at 5pm EST, at the Birthday and Celebration Club, on Clubhouse.
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The Legacy of Edwin Fisher — a conversation with musicologist and philosopher Vlad Vexler
You are herewith welcome to join a conversation about the pianist, conductor Edwin Fisher. In celebration of his birth — October 6 1886 — we will speak about the essence of music, and the importance of interpretation. Come to the Pianos, Hammers and Keys Club, and join the conversation, on Clubhouse — October 6 at…
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Listening while relaying a message
The musician on stage is a hearing conglomerate. He has to listen to himself, perceive what he plays, and react to it. At the same time, he has to anticipate his playing and overlook the complete piece. Simultaneously, he plays for the listeners in the tenth or twenty-third row, and listens, as it were, with…
Sila Blume 